“Tammy Faye” and “Cinderella” were hits in London but failed on Broadway
“Praise the Lord for 'Tammy Faye,'” Matt Wolf exulted in the New York Times when the Elton John musical opened in London in 2022. The show, Wolf added, “has a heart as big as the big hairdo of the title character".Two years later, reviewing the Broadway transfer, Elisabeth Vincentelli begged to differ. “Disjointed, strangely bland,” he wrote, also in the Times. Trying to get “behind the mask of this complicated, outsized woman,” she argued, had made her “smaller than life.”Critics, even those who are colleagues, disagree, sometimes in diametrically opposite ways. It's part of the pleasure of criticism and going to the theater. But English transfers have been too pervasive of late to be random. The new musicals “Tammy Faye” and “Back to the Future,” as well as the recent revivals of “Cabare...