Great controversy over the new royal portrait of King Charles III
Royal portraits, as a rule, tend to be quite serious and predictable affairs. Full of symbolism, sure, but generally symbolism of the traditional, establishment kind: symbols of status, of office, of pageantry and lineage.This is why Jonathan Yeo's new official portrait of King Charles III, the first since the king's coronation, has sparked so much controversy.The portrait, a large canvas (7.5 feet by 5.5 feet), shows the king standing in his Welsh Guards uniform, his hands on the hilt of his sword, a half-smile on his face, with a butterfly it hovers just above his right shoulder. His whole body is immersed in a crimson sea, so his face seems to be floating.Although the butterfly was ostensibly the key element of the semiology – intended, Yeo told the BBC, to represent Charles...









